The Silence of Photography

The deafening silence of photography is powerful. When making photographs or viewing photos no sound is captured. The sound of the people, the music or the weather lays within our minds.

I was inspired to shoot some Tempe architecture by viewing my friend Jon VanderMey's photos of his local architecture and sights.  ASU has some great buildings for photography - so I took advantage of this great winter day and went on a photowalk.

Typically I do a lot of concert photography and there is always sound associated with each picture. Not so today. More than the picture I made I enjoyed the silence of the subjects. I was able to create my own soundtrack to today's shoot. Do you know how powerful that can be?

What do you think about or listen to when you are taking photographs? (All photos from today can be viewed here!)

Has Digital Photography Raised or Lowered the Creative Bar?

Has the creative bar been raised now that the point of entry into photography has been lowered?

My mind wonders sometimes and during an afternoon in traffic school I posed this question to myself. Now that almost anyone can afford a camera whether it's an entry level DSLR or 'Point and Shoot' - what has happened to us creatively?

I'm sure there are plenty of arguments for both sides but I think that the creative bar has been raised. Professionals now are separating themselves exhibiting a higher level of expertise more than ever. If we took three photographers (professional, serious hobbyist and amateur) and shot 5 photos of 5 different objects - I'm sure the professional would take away the best pictures. No brainer...they have the most experience and the highest level of technical skill.

The new reality is that the professional has to be on their game so that they do not come back to the pack. No longer can a professional photographer show up and deliver mediocre photographs. My sister's cousin's brother could have delivered mediocrity - but a pro...no way. That's why they are a professional and not someone who take photos occasionally.

Granted, there may be more professional photographers but creatively the hobbyist is pushing the professional to justify their title (and fees.)

What do you think - Has the creative bar been raised? I really want to hear what others have to say about this topic...drop me a line - GRT2

Mailboxes: Dewy, AZ

When Is Familiarity Important? Three Part Series - Part THREE

Sometimes there are situations in photography that the moment is instant and spontaneous. Capturing that moment, that feeling and making a great photograph is the only thing that is on your agenda. There is no time to get familiar with the subject or the location. - click or it may be gone.

There are rules to photography. There are rules and there are suggestions. I try to know the rules and suggestions (I am not the most technical photographer I work on instinct with settings etc.) and when it comes time to make a picture - go with what feels right.

Central Ave Boxing Gym is a place I had never been before. I never really knew what a boxing gym looked liked or what it felt like to be in one. (I can tell you now that it's very hot.) I didn't know what the lighting conditions would be like or spacial restrictions. I went and spoke to some people and observed for a couple of moment before shooting anything. This photo was taken from a balcony above the training floor. It was the place that I could get the best exposure and the best composition.

Moments like this are great when you walk into a situation without knowing anything and leave with a photograph that you really like.

The more you know about something the better your end result will be but don't let that limit you. The best way I've found to familiarize yourself with a subject is immersion. Go out and shoot something, then go photograph it again. Measure your progress - keep notes. What do you wish you did differently? Go and repeat. Great photographers are made by shooting photographs.

When Is Familiarity Important? Three Part Series - Part TWO

Concert photography is like gambling in a casino - the odds are mostly against you. However, there are those times that if you know the game well enough and see an opportunity to come up and have the nerve to follow through - the payoff is huge.

My favorite band to shoot is Roger Clyne and The Peacemakers. Local act gone national, great rock-n-roll and it's always a good time. I've seen RCPM tons of time but I have just started photographing them seriously.

Although I've seem them a lot it wasn't until I saw them as a photographer did I realize how hard this band was to photograph. With every shoot I started to realize how the stage presence and gestures were dictated by the song or tempo. Roger has a great stage presence and is very energetic (someone commented on a photo of mine and said it was trying to photograph a moth in a bright light.) After a while and after watching and after missing shots - it all clicks. Ok here comes the song (Mekong) ok he's probably going to do this...ok here's this song (Counterclockwise) I should be positioned over here a little.  Believe me it makes getting shots like this one (taken on 11/21 in Tempe, AZ) a little easier. Going back to the initial gambling analogy - you're able to stack the deck in your favor a little.

I've never shot soccer before - let alone kids soccer (or kids for that matter.) I was bored one day and I wanted to take photos and I ended up in Snedigar Park in Chandler, AZ. It was hot that day and I decided on setting up in a corner under a tree with a telephoto lens. (Truth be told I never use my telephoto lense - I don't know why.) After reviewing my action shots which were good - not great I saw this photo. A picture of a bunch of kids waiting for play to start. 7, 8 and 9 all in a row. That's what makes the shot. If I was little more familiar with kids soccer or more specifically I may have shot a great action photo - but this is what I came away with. A numeric composition.

Next post will deal with something that I briefly familiarized myself with a left with making a great photograph.