When Is Familiarity Important? Three Part Series - Part ONE

Yesterday I commented on a "How to photograph skateboarding" article and it got me thinking - When is it important to be familiar with your subject? I'll stay with skateboarding for a moment...

If you don't know skateboarding the chances of you taking a great (not just good) skateboard photo in minimal. There are so many subtle nuances in skateboarding that make a great shot. With that being said these nuances that are predictable when you know the athlete and the sport. Here's a photo of Neal Hendrix I shot at The Skatepark of Tampa / Tampa Pro.  Neal is a perfect example. As a skateboarder he is super consistent and since was a contest run he was doing the same tricks in the same parts of the ramp - which is typical of contest runs and in practice. But if you didn't know Neal or the tricks he was doing - you would be at a severe disadvantage. (Thanks Neal for being a good example.)

I ask myself constantly - "Why am I shooting this?" Many times the answer is "because I want to" or simply "this looks cool." I'm fine with any answer that makes someone pick up a camera but if you go back to the why - it's something that interests you - right? Why else would you want to capture that moment in time?

With all that being said sometimes the subject is something that doesn't take a long time to get familiar with. In the next posts of this series I'll give examples of different subjects: subjects that I had to get to know well before I made a great picture and others that I familiarized myself quickly with before a great photo was made.


(Note: Thanks for reading my blog. Please post comments as you see fit or send me an email (grtaylor2@mac.com) with any questions etc.)

Evolution as a Photographer : Part FOUR

There for a while in NJ after all the travel etc. I became focused on a career. I focused on career and sports and a bunch of things that had nothing to do with the arts. I put the camera down unintentionally and didn't take a photo for a number of years. Why? Not sure...but I do know that the time I went dark from photography makes me enjoy it all the more now.

Fast forward to the winter 1997. A long term relationship I had ended in April of 1997, my grandmother (who I was super close to) passed away winter of '96 and I was at a job I couldn't deal with anymore. (Yes the one I worked hard to get and put the camera down for.) I was done with NJ. I needed a life change since - so I packed everything that could fit in my Honda Civic - anything else that was left I sold to a guy for $500 - and headed West to the Sonoran Desert.

Arizona's beauty captivated me and the logical thing was to start taking photos again. I shot everything once again. Skateboarding, landscapes, desert images, friends, strangers you name it...

I took a job after a couple of years here as the marketing guy for a company in Tempe that built skateparks. The rough part of the job was I had to take photos of skateparks and skateboarders - rough huh? SKATE PHOTOS

I was back with camera in hand and although my interest or passion has never been as strong as it today - I haven't put it down again...

NExt: Evolution as a Photographer : Part FIVE 'til today

Evolution as a Photographer : Part THREE

Carl's photo of the Vermont lanscape really opened my eyes up to what else what out there. I was no longer a one dimensional photographer (or really picture taker at this point.)

After that I traveled a lot. Everywhere I went I brought my camera. Concerts, Sporting Events, Scenic Drives through our surrounding areas etc. Still I took tons of skateboard photos and the like but I had no limits. I felt like Carl's photo gave me permission to expand beyond the boundaries I had been constraining myself to.

Truth be told, I didn't seize every opportunity presented to me to take photos. Some trips were just too long and our travel plans were too sketchy to worry about a camera - not to mention the cost of film and processing.

I learned at an early age that taking concert photos (when anyone could bring a camera into a concert and there were no silly "no professional cameras" rules) was a difficult task. Sian Proctor at PodCampAZ, reminded me of the days of getting back a role of black prints. I learned that with a high ISO there was a substantial amount of noise in the print. I learned that when using a telephoto lens you need to stabilize it from shake or nothing will be in focus. Theses principles learned at 19 or 20 are still rules that apply today to a game that has greatly changed.

It's amazing how thinking back on my evolution as a photographer how many people were instrumental in this journey. Someone was always around me that knew a lot more than me and they were willing to share their knowledge. There are still so many great photographers around me today helping me out - it's an amazing community of sharing knowlege and exchanging ideas.

I enjoyed the art so much at this point - I don't know why I put the camera down (for the first time...)

Part FOUR: Life Without the Camera Before Arizona

Evolution as a Photographer : Part TWO

In high school my interest in photography expanded. I grew up as a skateboarder and a graphic arts student. What a combination. My parents bought me a Canon camera - just a simple point and shoot 35mm unit. Also, available to us was a Canon AE-1 on loan from the Graphics Dept. (Thanks Mr. Goetsch) at Watchung Hills Regional High School (WHRHS).

We would shoot everything. Portraits, skateboard action shots and other interesting items. My real interest in photography came at about 16 when I learned how to develop and process black and white film. This was earthshattering. We could go out - shoot a role of film and for little or no cost we'd have prints. Amazing...

So the cobinationof access to cameras and the availability of processing our own images made my interest explode. Nothing was left unshot.

My friend Ben Cornish was the best out of all of us. (Today, Ben is a filmmaker in Denver but is still one of my favorite photographers.) Some of his photos are iconic images of my younger days. (Weepee Portrait) His eye was better, his tech skills more advances and his willingness to share the knowledge was amazing. To say Ben had an influence on my photography is an understatement.

And so it went - we took music photos, skateboard photos and hanging out shots until one day...

...a bunch of us were in Vermont right before our senior year at WHRHS and our friend Carl Gulbish took some landscape shots. So simply, so cool yet opened so many avenues of creativity. I remember the B&W photo of the running stream with the trees and shadows from Killington - that photo changed the game for us...

Here's a link to Ben's Flickr Photostream

Part THREE: Beyond High School and before Arizona